Dmitri Kasterine: Louis' profile

Tuesday, February 28, 2012

Louis' profile

I have always found it useful to have a stand-in to test the light before the shoot. Sometimes the picture of the stand-in is better than the subject. Here, I think... I'll just say that I cannot remember who Louis was standing in for.

3 comments:

PinkhamsterMarch 2, 2012 at 4:53 AM
Great photo... I hope he signed a release!
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JillianMarch 2, 2012 at 8:23 AM
He looks very noble. I love that he works as your stand-in!
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John GreeneMarch 18, 2012 at 10:25 PM
Great shot! Very iconic, and Jill's right, noble. Love the way that white area on his nose contrasts with the black ground. Why though, is the red collar still on? Not sure if he ever did, but this looks like something William Wegman might come up with if he were doing a series of Renaissance portrait pastiches.
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From the photographer

I started this blog in December 2008. At the time I did not know if I would enjoy it or not, and whether I would get any response to it. I am enjoying it and people have responded. I made a silent pledge at the outset not to say much about my artistic intentions or the composition of the photograph. I would just talk about what led up to taking the picture and what it was like doing it.

The discipline is actually not a strain for me, because I do not desire, and really have never been capable of discussing my intentions, artistic or otherwise. My wanting to take a photograph appears as fast as a bolt and without warning when I spot the subject. I then take it or not, depending on how brave, awake, or fumbling I am with the camera. I enjoy exploring, looking for things that stop me, or frighten me. To fear to take a picture usually means you want to take it.

dmitri@kasterine.com

Biography

Born in England in 1932, I started out as a properly brought up young gentleman with an English mother and White Russian father. He fought wars all his adult life and died in a car accident in the North of England at the age of forty-seven.

Photography came to me at aged eleven, photographing birds at the bird feeder my mother put up outside the kitchen window. After the acute disappointment of the birds being minute specs in the picture, I did cows in the fields around us in Kent.

After the wine trade, Lloyd’s, racing cars, selling cars and flying aeroplanes to Australia, I became a photographer. I photographed my friend’s engagements and their weddings. I worked for magazines and advertising agencies.

I was sent to Los Angeles to photograph Mick Jagger, returned to England via New York where I met Salvador Dali in the elevator at the St. Regis Hotel. Thence started my interest in living here. Three or four years later I moved to America, remarried and lived happily ever after.

Dmitri Kasterine

Tuesday, February 28, 2012

Louis' profile

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