In a family of eleven siblings you are likely to be brought up to look after anyone who needs you."She's not my baby," she pointed out when I asked her if I could take her with her baby.
Their large white dog put his paws on the window of the Hope and Anchor, Red Hook, Brooklyn and pants at us. The owners look interesting and we go outside and greet them. I take some pictures with the dog but it is this one that I like. He spoke, she was quiet. Artists both, strength - resolution - determination. Actors, never.
There's a bench outside Breukelen Coffee House on Franklin Street and as often as not anyone sitting there has a dog with them. It's either their dog or they are looking after their friend's dog. The waiters and owners of Breukelen Coffee House love dogs and will serve their owners as they sit outside. A bowl of water is always there for the dogs. Caroline looked after Gitzo while I photographed MMLJ
Almost as soon as we sat down next to this quiet couple at Dutchboy on Franklyn Street in Crown Heights, they got up to leave. I asked if I might photograph them. When we got home later that evening I had an e-mail from them to say they were striving artists, he a musician, she a painter and that they had come from the west coast and fell in love with New York.
I can remember to this day catching sight of the man as I walked along the Thames in Putney. I crept up along side him, and pretended to look out at the river. I guessed the distance I was from him and turned away to set the focus on the lens. I then leveled the Leica at my waist and pointed it towards him out of the corner of my eye.
After our main course at Diner in Williamsburg I asked the waitress if we could have our desert at a table outside. She said that that would be fine. The food had been as good as anywhere in the city and the service probably better than anywhere in the city.
Most politely he said "Oh no! I don't think I want to do that sort of thing." I persisted, "Could I show you some of the pictures I have taken," and remember as I said it that I had left them in the car. Now I am sunk, I thought, as but as he began to walk on. Have I got any cards left in my wallet? Yes! And fished out one with a picture of Stanley Kubrick on it that I had taken on the set of A Clockwork Orange. He looked at it and finally said, "Did you take this?" "Yes, I did," I replied. And then started to ask me a flurry of question about Kubrick filming A Clockwork Orange and said that it would be alright for me to photograph him.
She and her husband sat next to us at breakfast at Naidre's in Carrol Gardens. He was a photographer and she was a jewelry designer. She wore a signet ring on her first finger which she had designed and left shiny silver where a crest or initial might have gone. I said I liked it and had not seen one quite like it before. "Yes," she said, "A blank slate." She spoke in perfect English with a slight accent from somewhere in eastern Europe, Serbia it turned out.
This was not the photograph I meant to take, although the subjects had both struck me well enough. Caroline had hailed Lydia across the way in Central Park with a "He's friendly," referring to our dog Louis. Immediately the dogs played with the intensity of a feverish dance, and the women talked harnesses. I was left standing and about to leave them to it and wander off in search of subjects without animals when I thought that I had better just try and take a picture because subjects have a habit of not reappearing.
I was photographing the girl in gray and her friend when I felt a tap on the shoulder and a voice said, "I want my picture taken." I turned round and there was this woman. "Of course," I said. She was looking closely at me as I adjusted the tripod and said, "You photographed me before, you know, with my mother, about ten years ago. You gave us a copy of the picture and we used it at my mother's funeral." I remembered then that I had. I did her elder sister as well. See, "Girl with a comb in her hair".
He wondered why I knew he was a writer. He wanted to know who I was. He asked polite, clearly announciated questions in full sentences. I told him that I had photographed quite a lot of writers including Baldwin and Beckett and that seemed O.K. I had some pictures on me to show him what I had done in Brooklyn. We sat for quite a while and his friend talked to Caroline about dogs. He told me he was on his way to New Jersey which he had been trying to get out of all day. "I'd rather be shot."
She and her friend were lugging shopping up the steep steps of Morningside Park. They were on their way to one of the scores of picnics that crowd the park on summer evenings. I think they were happy to have an excuse to stop and put down their bags. Just as I had arranged my subjects and set the camera, two of their friends, young men, started to clown around behind me and make the girls giggle. I was saved by a mother or aunt ordering the young men to leave us alone and to carry the bags the rest of the way to the picnic site.

"I get in at 9.30 every morning. The bar maids get in at noon. I am eighty-three and I have cancer."
"May I photograph you?" I asked.
I wasn't paying attention and I missed my chance as this girl and her friend came out of the gate of their house in Bedford Stuyvesant. I hesitated and they were gone. An hour later we ran into them on the same street coming in the opposite direction. One does not often get a second chance. I took them together but this shot was the best I thought.